BEV LEE HARLING / LITTLE ANCHOR

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Violinist and Composer Returns

Bev Lee Harling returns with her first solo recording in almost a decade. She won the hearts and musical minds of DJs across the board with her 2012 debut LP, Barefoot In Your Kitchen, which BBC 6Music’s Gilles Peterson made his Album of the Week. Now the gifted singer, violinist and composer returns with twelve beautiful pieces of music that tell a very personal story of the years since.

Having swapped the busy streets of North London for the calmer shores of Hastings in Sussex to bring up her young family, it’s fair to say that Bev’s priorities might have changed somewhat over the past few years, but the music was never far away. Her new environment, and musical family (including multi-talented partner and album co-producer Frank Moon) added plenty of fresh inspiration to her recordings, and we’re very excited to share her new album, entitled Little Anchor, with you this Autumn.

The album is in some senses a travelogue, a 9 year journey of a creative woman navigating the landscape of parenting. Each song is a snapshot taken at a different location in time, in a world where finding balance between creative freedom and motherhood is still a struggle, from the uplifting and euphoric Beautiful Life, to the heavy and harassed Only Got A Minute.

Nine Year Journey

Between the unexpected joys of parenting, grapples with mental health and feelings of inadequacy, and fighting for every second of creative time while slowly accepting a life very different to the one that existed before, this unedited family album emerged bursting with quirky childhood memories, dark musings and celebrations of musical passion and legacy.

Each song carries breakthrough personal moments in rebuilding strength as an artist, as a person, as a parent. Even down to a very emotional moment with Ray Davies of The Kinks, during a songwriting retreat, where album closer This Violin String, a deeply personal ode to her recently departed mum, was written…

“Everyone turned up writing on guitars and piano and I just had my battered old violin. I felt totally out of touch with my former confident musical self and had zero confidence in what I was doing after an intense period of car crash parenting. I wrote it, performed it on the same day and then sobbed my guts out in front of a bunch of total strangers (sorry Ray!). Something shifted for me in the act of being quite so vulnerable though and I found my mojo again in writing solo with my violin.”

The personal nature of this record is self-evident, it bursts through every note and word in each song.

We’re very excited to be able to share such a special album, a fresh foray into the always unpredictable, experimental and playful world of Bev Lee Harling.

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